A ablaze blaze took centre date at Rick Owens’ Spring Summer 2019 womenswear appearance at the Palais de Tokyo, during Paris Appearance Week.
The artist presented his accumulating in a drained baptize bubbler abounding with a metal pyramid, which the models circled as they fabricated laps of the runway. During the appearance the anatomy was aback engulfed in flames.
Called Babel, the appearance took abode on 27 September in the courtyard of the Palais De Tokyo, an art deco architecture and cultural academy in the centre of Paris.
The American designer, who founded his appearance characterization in 1994, drew on influences from two academic buildings: the Belfry of Babel and the Russian artist Vladimir Tatlin’s 1919 archetypal of a constructivist tower.
Both references a the set for the show, in accurate the afire pyre. According to Owens’ appearance notes, they are all syms of “hope, dread, serenity, nihilism”.
Recurring elements of aition and demolition, including begrimed American flags and askance denim shorts, additionally brindled the collection.
Owens appropriate that the accumulating was advised for a coven of witches who casting “hexes and spells [while] attractive for adjustment and reason”.
Models absolved out in cage-like dresses that encased their bodies and apparel alternate in “shredded brutalist lace”, advised to arm-twist the apparel commonly beat by pagans or aerial priestesses.
These were commutual with geometric headpieces and bulky hiking boots, which were advised in accord with shoe cast Birkenstock.
Models were additionally dressed in panelled tunics with elastic fringing and parkas fabricated from lacquered denim and coloured rubber.
Typically for Owens, the apparel accept a aerial colour palette of black, grey, olive green, anemic red and off-white.
Owens launched his characterization in 1994, and showed his aboriginal balustrade accumulating in 2002. Aside from a recent long-standing accord with Adidas, the appearance artist has additionally collaborated with Birkenstock on a additional collection, the aboriginal of which featured sandals fabricated from calf-hair.
He has additionally created appliance pieces, some of which were apparent at Sebastian Barquet gallery in London in 2009.
Photography is by Indigital and Owenscorp
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