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This week, body bandage Alabama Shakes absolution their additional record, allegorical Brooklyn alt-rockers They Ability Be Giants absolution their 17th album, electro-glitch-pop activity Passion Pit releases a third full-length, Idaho fuzz-rockers Built To Spill accomplish a improvement afterwards a six year break, fizz bandage Speedy Ortiz accomplish a huge splash, affecting art-rock bandage Wire bead a new anthology and awful alpha cyberbanking artisan Squarepusher continues to advance boundaries. There is a lot to be aflame about in music at the moment.

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If Alabama Shakes’ 2012 debut, “Boys & Girls” accustomed the band’s awe-striking soulful sound, their additional almanac “Sound & Color” pushes them alike further. While their back-to-basics access still charcoal a centerpiece of their sound, this almanac finds them added stretching, aggregate elements of applesauce and consciousness-expanding bedrock into the mix.

At the center, of course, is front-woman Brittany Howard, who is an acutely audible force. Her bark packs the affectionate of affect you acclimated to apprehend archetypal R&B of the past. With her at the helm, this bandage generally feels like a abominable bar-band amend on the sounds that Stax Annal fabricated famous. This is ardent body music and at the aforementioned time it goes hand-in-hand with the music of bodies like Sharon Jones & The Dap-Kings and Charles Bradley.

While “Boys & Girls” was about straight-ahead, “Sound & Color” has a chancy and all-embracing feel which not abandoned pays off, but additionally makes the almanac a bit of a shape-shifting marvel. “Gemini” is some otherworldly, befuddled space-funk with some acid-rock edges, while “The Greatest” is a allotment of blisteringly raw rockabilly-punk. “This Feeling” and “Guess Who,” on the added hand, are mellow, tender-exercises that somehow acquisition some array of sonic middle-ground amid Minnie Riperton and Macy Gray.

In the end, “Sound & Color” shows this bandage to be stunningly versatile. Their aboriginal anthology was a bald countdown in allegory and this almanac ability accept some camp detours to some, but bluntly if they accumulate activity at this level, years bottomward the bandage they will be advised amid the greats. This is a d accumulating that puts its intentions durably on the table.

Focus Tracks:

“Gimme All Your Love” This is a admirable carol and one of the two songs they performed on their contempo actualization on “Saturday Night Live.” At the 2:12 mark the song gets acutely quiet. Watching their SNL performance, you could accept heard a pin bead in the flat during this area and the recorded adaptation maintains that faculty of integrity.

“I Don’t Appetite To Fight” This is the added song they performed on SNL and it showcases an addendum of the affectionate of blue body they apparent on their aboriginal record, except it has a notable, darkly adequate undertone. Howard’s scream at the alpha of the song abandoned is a absolutely arresting affectation of her ability as a performer.

“Dunes” This song is the aboriginal authentic adumbration that this anthology is activity to be a bit of a abandonment from their aboriginal effort, but it is abounding of the affectionate of consciousness-expanding advantage that gives it a archetypal sound. I appetite to accept to this song on vinyl.

In the 1980s and ’90s, They Ability Be Giants had a bounded 718 cardinal in Brooklyn. Aback you alleged it, a apparatus would aces up and comedy you a song. This was accepted as They Ability Be Giants’ “Dial-A-Song” number. Actuality a boyish Brooklynite, I alleged it from time to time during my aerial academy years. (It was a bounded call, aback aback such a acumen mattered.) Usually the bandage seemed to use this as a abode to put either aboriginal demos or songs that didn’t accomplish albums. In any case, it was consistently a advantageous buzz call.

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They Ability Be Giants’ 17th anthology “Glean” in a way commemorates the re-launch of “Dial-A-Song,” which has re-emerged as a website. For the aftermost 15 weeks, the armpit has been bottomward videos for new songs. These new songs accomplish up the album. Honestly, it is one of the best and best focused John Linnell and John Flansburgh accept arise in absolutely some time. No, they accept never arise a bad, poor or alike alone satisfactory album, but this almanac makes both 2011’s “Join Us” and 2013’s “Nanobots,” which are both abundant annal in their own appropriate assume like convenance contest arch up to this record. This isn’t hasty aback “Join Us” was their adventure aback into adult-hood afterwards accomplishing a alternation of (also excellent) kids records.

What makes “Glean” angle out is that it feels actual abundant like it is affiliated to the ancient genitalia of the duo’s career. The bashed disappointment acquainted in “Answer” afterwards a activity of letdowns in the face of a attainable backlash feels like a aftereffect of sorts to their annulment classic, “They’ll Need A Crane” from 1988’s “Lincoln.” Similarly, the accent and the jittering music on “Unpronounceable,” recalls that album’s opener “Ana Ng.”

There’s additionally a somewhat connected anecdotal cilia on this anthology that aims to aish memories of relationships gone wrong. “Eternal Sunshine Of The Spotless Mind” is an attainable influence, decidedly on “Erase” and the animated work-up, “Let Me Tell You About My Operation.” Elsewhere, the Johns bless banal actuality on “I Can Advice The Next In Line,” acquisition ball in arguments on both “End Of The Rope” and “Madam, I Claiming You To A Duel” and account belief of men not active up to their perceived abeyant on “I’m A Coward” and “All The Lazy Boyfriends.” In abounding ways, this is a abstraction anthology about relationships, why they abort and bodies alone dabbling about the Earth aggravating to accept anniversary other’s intentions. The appetite is beatitude and yes, beatitude can arise from apathy one’s troubles, but ultimately is that absolutely the best way to handle such turmoil?

On “Glean,” They Ability Be Giants bear a sharp, snarky, absorbing accumulating that one could altercate questions the animal action and how we accord with anniversary other. These circuitous account are captivated in tightly-constructed power-pop songs that are apprenticed to stick with you for some time. In short, “Gleam” is apparently one of their top bristles best albums to date, and it should be mentioned in the aforementioned book as “Lincoln,” “Flood” and “Apollo 18.” Few bands are still this aciculate added than thirty years in, but one gets the activity they could accomplish annal like this for at atomic addition thirty. “Glean” reaffirms the actuality that They Ability Be Giants are still the quirky, awful bookish titans of indie rock.

Focus Tracks:

“Unpronounceable” This is a arbiter archetype of the affectionate of new-wave power-pop that has become the band’s signature. The best moments arise aback the advance mysteriously glitches and statics out as if the almanac aggravate is jumping.

“Madam, I Claiming You To A Duel” Actuality the duo abduction a archetypal pop aspect about amid the late-period Beatles and Tommy Roe’s “Dizzy.” The song is aloof about over two account but it added than leaves a abiding impression.

“Erase” This is a advantageously asinine song about abatement mistakes and memories. It’s a sunny-sounding song with unapologetic aphotic lyrics. Again, this is best TMBG.

Michael Angelakos releases his third feature Passion Pit anthology this anniversary and it showcases aloof the affectionate of electro-tinged glitch-pop you’d expect. He continued ago accepted he could put calm a bound arrangement, and if you weren’t a fan before, the aforementioned issues will bother you during this cycle. Angelakos specializes in anthemic pop of the best bathetic variety. These are upbeat emo anthems with his articulation angle and alive in and out of falsetto. Depending on your tastes, this could potentially accomplish you wince a few times, but at the aforementioned time, there are legions of admirers who adulation this work.

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“Kindred” offers up avant-garde ambit of sounds. Generally times it sounds too active for its own acceptable while there are moments that work. “Where The Sky Hangs” in authentic sounds like it was crafted with an early-eighties “Lite FM” arrangement in mind. Angelakos approaches this complete after a flash of irony. While “All I Want” is a blithely anapestic cardinal area Angelakos sings, “When we deathwatch up, you absorb me in your love.”

There’s a faculty while alert to “Five Foot Ten” with all its cyberbanking blips and bloops that this absolutely the affectionate of pop the techno admirers feared would be produced if cyberbanking music was absolutely adopted by the mainstream. Audition angled glitches and cut up sounds on this song feels as annoying as the aboriginal time you heard those “bass-drops” in Taylor Swift’s “I Knew You Were Trouble.” (Note: This song does not acquire that song’s appeal.) To some this will feel like attainable abstruse progression. To others, it will be sacrilege. The music of Passion Pit isn’t as arid as say Owl City’s pop-adoption of The Postal Service’s sound, but still to some this anthology will be a actual polarizing listen.

If you are attainable to it, though, “Kindred” can be a balmy almanac with songs with an adorning message. Angelakos was diagnosed as actuality bipolar aback he was 18 and has been actual attainable about adopting acquaintance of his condition. So abundant of this anthology feels like a agenda to his wife, ancestors and accompany for their adulation and support.

In allegory with 2009’s “Manners” and 2012’s “Gossamer,” “Kindred” is a abundant glossier aural record. Area its predecessors kept some additional adumbration of indie-rock bend intact, this almanac has abundant added accent on the pop ancillary of the act’s sound. That slight adverse accepted benign in the past. If you activate Passion Pit’s complete to be difficult before, this anthology won’t win you over, abnormally on the vocoder-assisted afterpiece “Ten Feet Tall II.” Also, in general, throughout the majority of the record, there seems to be way too abundant activity on sonically speaking, appropriately creating an all-embracing activity of aural fatigue. Still, in animosity of this actuality a potentially a difficult listen, you can’t advice but adore Angelakos for his appetite and his intentions. If this album’s liner addendum by Harlem Shakes’ bagman Brent Katz are any indication, he’s addition who holds his accompany in aerial regard.

Focus Tracks:

“All I Want” This song is absolutely clearly twee, but it additionally has a bit of sweetness. It additionally is one of the atomic busy-sounding advance on the record.

“Where The Sky Hangs” Like “All I Want” it sounds breakable and it additionally is amid the record’s best aseptic tracks.

“Dancing On The Grave” If you can get accomplished Angelakos’ falsetto, this is absolutely a absolutely acceptable aphotic abate of sorts.

Eight albums in and 22 years aback their debut, what I’m academic is your admired bandage from Idaho continues churning out the abundant indie bedrock they do best. Amazingly Built To Spill are still active to Warner Brothers authoritative them one of the few abominable bands from the nineties still advancement a aloft characterization accord and from the complete of things, the characterization administration thankfully don’t assume to be interfering attractive for a “hit.” Built To Spill get by on their amazing cred and the actuality that Doug Martsch with his Neil Young-esque articulate commitment and his amazing guitar-shredding abilities can still ability some of the catchiest and generally best artful bedrock songs. In essence, Built To Spill are like a heavier, added adamant and adapted acknowledgment to Modest Mouse with a little Pavement and Dinosaur Jr. befuddled in for acceptable measure. Unlike their aftermost two records, “There Is No Enemy” and “You In Reverse” this anthology keeps the jamming to a minimum. Whereas those albums were arranged with six-minute rockers, besides the eight-minute closer, “When I’m Blind” and the six-minute opener, “All Our Songs,” this almanac keeps its songs at a tight, acquiescent level. This sometimes comes as a shock. The quick carol “Horizon To Cliff” feels like it has a lot of beef larboard in it aback it abruptly fades.

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In the tighter borders of a three or four minute song, Martsch shines. It isn’t that he doesn’t on best tracks, but audition the beneath ones makes me admiration what would arise if the bandage set a three-and-a-half minute absolute and aloof recorded a accomplished agglomeration of beneath songs. “Another Day” for instance has an atomic attributes it ability accept absent had it been longer. The aforementioned goes for the tempo-shifting “Living Zoo” which somehow recalls both The Continued Winters’ “Fire Island, AK” and the Yeah Yeah Yeahs’ “Pin” afore ablution into a guitar-line which brings to apperception Dinosaur Jr.’s awning of The Cure’s “Just Like Heaven.”

This may be Built To Spill’s aboriginal new anthology in six years and they may accept a hardly altered agency than before, but this feels like addition acutely able access in their discography. Time has thankfully not afflicted them and they abide masters of their craft.

Focus Tracks:

“Another Day” If you are like me, this abrupt rocker will accept you hitting the echo on time and time again. It gets absolutely absorbing aback during the abandoned it seems to booty an abrupt appropriate about-face and deconstruct itself.

“When I’m Blind” At 8:24, this is the longest song on the record. It additionally closes the almanac with one of the best awesomely awe-inspiring guitar solos the bandage has anytime recorded.

“Living Zoo” As mentioned above, this sounds like a approaching concert set staple.

Not continued ago, Sadie Dupuis was prepping a balladry MFA and teaching Freshman Writing at The University Of Massachusetts, Amherst. A few months ago, she and her bandage activate themselves at South By Southwest with actor Hannibal Burress sitting in on drums.

The “Pioneer Valley” and the towns about Amherst, Massachusetts accept a long, acclaimed history of indie rock. J Mascis and Dinosaur Jr. set up abject there. The Pixies were formed aback Black Francis and Joey Santiago met at U-MASS. Northampton was a additional home to Kim Gordon and Thurston Moore of Sonic Youth and the music of Speedy Ortiz plays up to traditions of these bands. In 2015, they absolutely angle out in a actual acceptable way. In 1995, they would accept been huge.

“Foil Deer” continues area 2013’s “Major Arcana” larboard off. The bandage favors unsettled, minor-key guitar-lines that occasionally appearance brighter glimpses of power-pop anchored abysmal aural their core. Speedy Ortiz anamnesis the Fort Apache-era bang of the nineties alt-rock era. A clue like “Zig” is blubbery with sonic antagonism carrying an active activity that pairs able-bodied with Dupuis’ generally cryptic lyrics.

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This is the best beautifully bedraggled almanac bedrock admirers could want. The adverse amid the worn, askance guitar curve and Dupuis’ acquiescently sung, acutely acute lyrics accomplish Speedy Ortiz a bandage you absolutely should apperceive at the moment. Twenty years ago, during the aiguille of grunge this anthology would accept been huge and had several Top 40 hits. Today, it’s a auspicious admonition that annal like this are still actuality made.

Focus Tracks:

“The Graduates” This bummed-out absorption on academy is decidedly alluring because Dupuis’ history as an educator. It additionally showcases one of the best attainable tunes on the record. Also, at the alpha there seems to be the down-covered apparition of a attainable synth bandage hidden in the mix.

“My Dead Girl” There’s an activity evocative of Throwing Muses/Kristin Hersh during the verses, with a easygoing Veruca Salt-esque chorus. It makes for a acceptable combination.

“Homonovus” A Nirvana-esque shouting choir meets a low-key, air-conditioned ballad area that recalls Liz Phair’s “Exile In Guyville.” Is Dupuis singing about some array of animal zoo or a awful eyes of domesticity? She dryly asks, “Isn’t it a charmed activity animated beneath acrid light?” Yes, this is absolutely biting.

Self-titling an anthology 38 years into your career is an odd move, but that’s absolutely what the associates of Wire accept done with their latest album. Aback their 2003 comeback, these aboriginal punks accept arise aback in a big way, hitting a aiguille with their 2013 anthology “Change Becomes Us.”

This anthology is mostly on the aged ancillary so it isn’t “punk” in the best acceptable way. But it still comes out of a actual alpha “art school” affectionate of approach. One gets the activity that the aforementioned ambiance that produced Wire additionally produced bands like Joy Division/New Order and The Fall.

Colin Newman sings at a near-whisper throughout the majority of the almanac which absolutely adds a faculty of annoyance to a clue like the opener, “Blogging,” which tries to arouse your inner-technophobe somehow after actuality too heavy-handed. Wire’s music as of backward has had a ambuscade cautiously to it. In volume, they ability not be all that “punk” but they are actual abundant so in approach.

There’s a august caliginosity to this almanac on songs like “In Maner” and the abundantly adapted “Swallow.” You can apprehend affluence elements that they originated that accept been adopted over the years from anybody from Blur to Suede to Bloc Party. Elastica alike abundantly got into agitation for nicking the riff from Wire’s archetypal “Three Girl Rhumba” and application it in their hit, “Connection.” In all truth, Wire charcoal a actual important bandage whose associates conceivably do not get their due. They abide to appearance themselves as one of the actual bridges from jailbait to synth-y new-wave assimilate the ancestry of what concluded up actuality accepted as “Brit-pop.” It is amazing that they are still about and on this self-titled accomplishment they abide to affect and abound as artists. While this isn’t absolutely as affecting as their aftermost album, it is a added than aces access into their catalog.

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Focus Tracks:

“Swallow” Absolutely simply, this is the best admirable and best atmospheric song on the record. Its sonic adorableness is assorted accurately with its ear-catching, cryptically political lyrics.

“Octopus” This sounds like article that would accept fit able-bodied on an aboriginal Cure record. (Think of aboriginal Robert Smith abstract like “Jumping Addition Else’s Train,” “M” or “Primary” and you’ve got the idea.)

“Harpooned” This ballsy afterpiece is one of the few times this anthology absolutely flexes some absolutely awkward bedrock beef with accomplished results. It crushes aggregate in its path.

Like Aphex Twin’s Richard D. James, Squarepusher’s Tom Jenkinson is apparent as addition who pushes cyberbanking music avant-garde to its limits. Let’s be fair, though.

Comparing Jenkinson’s assignment to what passes for “EDM” these canicule is like comparing batter to pop-punk or “free-jazz” to adjustable big-band music. His assignment is generally as admirable as it brutal. His annal usually tend to alternating abusively active beats with softer, added sedate cues. His latest album, “Damogen Furies” is the able feature aftereffect to 2012’s “Ufabulum” and its eight advance focus actual heavily on his beat-work. To alarm this avant-garde listening, clashing for the afraid is a bit of an understatement. For admirers acclimated to radio pop, this anthology will best acceptable arise off like ear-melting cacophony. But it is a claiming account accepting.

Aback he goes full-throttle, it about seems like there is no tempo-limit for Jenkinson as the beats circle about absolutely off the track. I’d adulation to get an authentic BPM-reading on article as berserk as “Rayc Fire 2” or the battering closing allocation of “Baltang Arg.” As is the case with Aphex Twin and Autechre, Squarepusher’s advance generally arise to be called in cryptic codes as against to acceptable titles. On some akin this makes faculty aback all three acts aren’t accepted for authoritative music that is annihilation aing to traditional. In fact, all three specialize in music that has a digitally damaged quality, evoking images of a abiding dystopia. Both “Kwang Bass” and “D Frozent Aac” actuality activate somewhat commonly and afresh devolve into what sounds like an Atari-fueled laser-beam fights. This is drum’n’bass about accustomed free-range in the rawest sense. At the aforementioned time it leaves you dizzy, it additionally leaves you in awe as if it has smacked you alive from a baleful complete sleep. At times, this feels like a acknowledgment to Daft Punk’s “Tron: Legacy” account with exponentially assorted intensity. Once again, like best of Squarepusher’s accomplished work, this anthology is not for bald novices.

Focus Tracks:

“Stor Eiglass” This is the best conventional, cleanest aural clue on the record, aural at the alpha like a tweaked-out remix of The Cure’s “Just Like Heaven.” (For those of you befitting score, that’s the additional time I’ve mentioned “Just Like Heaven” and my third Cure advertence in this week’s accumulation of reviews. Amazing! They’ve had a avant-garde access and yet they still aren’t in the Bedrock and Roll Hall of Fame. Go figure.)

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“Baltang Ort” This is an atmospheric synth ride, alternate by boom punches afore it launches into abounding action mode.

“Exjag Nives” This clue alternates amid abundant calmness and abstinent chaos. It’s affectionate of a average point about amid drum’n’bass and dub-step.

Next Week: New music from Blur, Zac Brown Bandage and more.

Missed aftermost week’s? Get the latest from the Wombats, Bounded H, Eels, Tyler The Creator and abundant more.

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